Audrey Dubois
9:25 pm on April 8, 2015 Tags: 183 ( 20 ), analysis, but something tells me this can't be too far off, i mean i will allow for mistranslation, is this meta commentary on scriptwriting from the scriptwriters through the script???, sailor speech ( 99 ), WAIT since the 3 Lights are acting in a movie in this scene
Someone was legally paid real money to write this line
Or he doesn’t have a pure heart because he’s done stuff he finds morally reprehensible, he has no beautiful dream because he’s actually given up or lost & he lacks a star seed because he has no passion for anything. Motoki’s life is really sad.
The world of magical girls looks so different from the perspective of an average aspirationless minimum-wage arcade employee.
That moment when we realize we are all Motoki.
As much as I may want to deny it, it’s so completely true. The tragedy lies not with the victims of the week, but with those who don’t even deserve such recognition.
I’m going to rewrite Sailor Moon from Motoki’s perspective. Like, his best friend skips class, frequently disappears, and occasionally calls himself ‘Endymion,’ his most regular patrons are obsessively fixated on one game about a superhero girl who fights crime, his sister and girlfriend have each been mysteriously attacked a handful of times, and he has no idea what’s going on because everyone around him has something special about them, and he, the everyman, does not.
Audrey Dubois
4:57 am on March 28, 2015 Tags: analysis, but indifference is the worst trial to overcome, even if you hate something you still have passion, I think that a recurring theme in sailor moon is that the opposite of love is not hate, in other words congratulations for making me think about this, it's nothingness, this is super sad and super real
Or he doesn’t have a pure heart because he’s done stuff he finds morally reprehensible, he has no beautiful dream because he’s actually given up or lost & he lacks a star seed because he has no passion for anything. Motoki’s life is really sad.
The world of magical girls looks so different from the perspective of an average aspirationless minimum-wage arcade employee.
So when he extend his cane to save Usa in front Diamond in episode 83 in Classics, what he was trying to tell him???
My roommate and I once had a long discussion about the implications of that scene. Like, Diamond is attempting to assert his masculinity by hypnotizing and forcing Usagi onto a bed. Then, Tuxedo Mask unexpectedly soars in on his hang glider of romance, where he immediately extends his cane (to an absurdly unnecessary degree) and tells Usagi to grab it, presumably looking Diamond in the eye the entire time. They might as well be yelling “I’M A MAN” at one another in various pitches of confidence. Usagi is saved from a male by a male, essentializing her role as the prize of a whose-dick-is-bigger contest.
I love Pluto so very much, but she makes no sense. Even if she died and a past (or alternate future) version of herself is traveling through time… wasn’t she supposed to be guarding the gates of space-time for all eternity? Fate of endless solitude and all that jazz?
[EDIT: a better and more concise version of what I theorize below actually turns out to have already been written here: http://guardress.tumblr.com/post/113799671016, but I’ll leave this here anyway because it was fun to write. :P]
My theory is that we’re seeing two Plutos in both versions. The first Pluto in both the manga and the anime was the one recruited/assigned in the Silver Millennium by Queen Serenity to guard the Door of Time, and she did this faithfully: she didn’t die with everyone else in the Silver Millennium, so she’s still the exact same person born during Queen Serenity’s reign. For all we know she actually pretty much did spend an eternity at the Door of Time right up until the Death Phantom and the Black Moon Family started futzing around with the time stream.
In the manga, when she stops time to stop Black Lady, this first Pluto dies, and her starseed/Sailor Crystal/soul is reincarnated on Earth in the 20th century a little before the inner senshi are born: she’s shown as a college student at KO University who has to have her powers reawakened. This is Pluto #2: an actual contemporary of Usagi (AKA Princess Serenity #2) and her friends. This Pluto is no longer bound by her oath to Queen Serenity, having already dedicated her previous life to that assignment. In this new life, her (likely self-determined) task is to protect the timeline by taking a more active part in it — she knows/remembers how it’s supposed to turn out and she sees it as her mission to make sure it ends up as close to perfect as possible. Due to the fact that the Black Moon Clan did make some pretty definite changes to the timeline, there will be some things that are unavoidably different, and she’ll probably have to stop in at the Doors of Time to check in every now and again because there will be places in this new, branch-off timeline where her previous incarnation isn’t still standing guard, but for the most part she has a lot more freedom and can forge a new future for herself. Frankly I doubt Usagi/Neo-Queen Serenity would hold her to the same oath that Queen Serenity did anyway, unless it was determined to be absolutely necessary: in which case, I see Pluto as being the type to take up the duty again on her own, without Neo-Queen Serenity even having to ask her in the first place (perhaps even with NQS insisting she doesn’t have to).
So, basically, even though she dies “in the future” in the manga, it’s her past (Silver Millennium) self who died after a really, really long life: NewFuture!Pluto is Meiou Setsuna, who was born in Tokyo with the rest of the senshi in 20th Century Earth and is still a relatively young woman. She may well even get to hang out with everybody in Crystal Tokyo in the future.
It’s even possible that all of what happened with the Black Moon Clan was actually destined/predetermined, and her past self secretly knew that she would die and get to be reincarnated and, thus, be freed (she may have seen herself through the doors at one point or another, for example). In this case, it’s likely that there are points in time in which Sailor Pluto is literally in two different places at once. Handy!
In the anime it’s a little more dicey, but still kind of works. Pluto leaves her post against the rules in this version without much of an explanation (if I recall correctly) and without even apparently leaving someone else in charge: I mean, at least in the manga Diana volunteered to hold her spot for what she thought would be a quick rescue mission! But I guess we can assume that the damage caused by the Black Moon Clan has already caused ripples throughout time by this point and this, compounded by the threat of Pharaoh 90/Mistress 9/Sailor Saturn, causes her to say, “Oh, screw everything, I’m going down there before this mess gets any worse and there’s no longer any timeline left worth protecting.” In any case, when she stops time to save Haruka and Michiru, it is again her Silver Millennium self who dies, which allows for her Sailor Crystal to again re-emerge as Meiou Setsuna, born in the 20th century a few years before Usagi and co. Seeing as Sailor Pluto is the Guardian of Time, I don’t see it being all that complicated for her Sailor Crystal to reincarnate itself a couple of decades before her past-self’s death. Once Setsuna reawakens as Sailor Pluto and regains her memories (it’s possible that her previous incarnation already knew she would be reborn/knew her future incarnation was already walking around Tokyo, given that both of these incarnations share the same civilian name), she pops right back into the lives of the other senshi somewhere a little after the events of Sailor Moon S. Without offering any solid explanation whatsoever. Because ain’t nobody got time for that. And everyone just kind of rolls with it, because it’s not like they haven’t all had their fair share of seemingly impossible resurrections, so … meh.
And, again, it’s likely that this newly reborn Pluto will get to live a full, active life with the other girls, straight through to Crystal Tokyo and whatever lies beyond, and we can assume that there’s likely some overlap in which some version of her past self is still minding the door of time outside the time stream while her present self kicks all the butts on Earth. One could make the argument that the very fact that she leaves the doors of time at all means that there’s a gap in time somewhere where the door is left unattended, but we can handwave that by, again, assuming that either her present self checks in and stands guard for a bit … or we can just say “Wibbly wobbly timey wimey mumble mumble … .” and call it a day. Time may well operate differently in her realm.
I like this headcanon because it’s optimistic: she’s this kind of tragically lonely figure who, through death and rebirth, finally gets the same chance at freedom and living her dreams that all the other girls got, while still staying true to her profound sense of duty. :3
(Pluto is my favourite: I’ve spent a lot of time thinking about this stuff!)
—-
As a completely unnecessary, purely speculative addendum (just for fun): Maybe Queen Serenity never even really intended Pluto to spend all of eternity at the Door anyway, but rather just wanted to keep a player off the board and observing the events of the timestream long enough to step in
and offer up the right Deus Ex Machina at the right time. Maybe
Queen Serenity herself had spent some time at the Door of Time, or perhaps
she simply had prophetic powers — meaning she would have some idea of how things might play out in the distant future (maybe not all of the specifics leading up to that point: she certainly didn’t seem to have seen the destruction of her own kingdom coming, or at least not the method of its destruction), and planned around it by telling the very dutiful Pluto that she needed her to stay there for all eternity, while knowing that she would eventually break that rule only because she felt she had a higher duty to the world and the Royal Family. From a fanfic-y perspective, I kind of like the idea of Mama
Serenity as chessmaster. :3
Happy Time Travel Tuesday, everyone!
What a perfect day to consider Baby Pluto at the gate of time, unaware that she is ultimately doomed to one day forsake her duty, only to be granted a second chance in the form of a human life.
What a perfect day to cry softly to myself.
Audrey Dubois
1:03 am on March 15, 2015 Tags: 181 ( 28 ), analysis, but it's not funny when it hinges on usagi's blind panic over seiya's intentions, but this whole thing is too uncomfortable for me to find funny and too important to let go without saying anything, i almost never go serious mode in these live tweets, i guess that's why i don't like seiya, i mean it's possible that i'm reading too much into this, i understand that they're going for a hilarious misunderstanding, TAG RANT OVER, they CONSTANTLY dangle usagi above her comfort zone, this reminded me of the scene with prince dimande in terms of physical and emotional violation, usagi's fear of assault is legitimate and should be treated as more than an irrational freakout
Real talk: Trivializing Usagi’s fear of assault as just an ‘overreaction’ bypasses ProblematicVille & goes straight into Not-Okay-Town territory.
Audrey Dubois
11:34 pm on January 25, 2015 Tags: 169 ( 26 ), analysis, and she knows exactly how to achieve that goal: attack her friends, eye steamroller ( 26 ), her goal is literally just to make the white moon princess miserable, i think for usagi being alone is a fate worse than death, Queen Nehelenia ( 40 ), screw you nehelenia, without her friends she has nothing
Credit to Nehelenia for ruining Usagi’s life with such calculated efficiency. Gold star.
Audrey Dubois
10:38 pm on January 20, 2015 Tags: 167 ( 33 ), analysis, but she doesn't want her detractors to have happiness too, but still she totally won from her point of view, happiness is a thing that only she is allowed to have, Queen Nehelenia ( 40 ), though this is after some manipulation by Mysterious Voice
Nehelenia is the ultimate pompous villain because she actually achieved her goal of eternal youth but decided that she needed revenge anyway
Audrey Dubois
2:32 am on January 19, 2015 Tags: 'would you rather live in the real world or a hologram machine where you would always be happy', analysis, and it makes me think of that philosophy problem, BUT the machine can mimic real life IF that's what makes you happy, everyone says real life because it's more dynamic and unpredicatable, philosophy ( 9 ), supers movie ( 62 ), this speaks volumes about her character
It says a lot about Usagi that she isn’t satisfied with the dream-haze world tailored especially for her.
Her dream world is one where everyone is happy, not just herself.
Audrey Dubois
11:43 pm on January 18, 2015 Tags: analysis, and the fact that it only happens in proximity to the candy house, baby senshi ( 28 ), from an in-story and meta perspective, implying that a fixation on sweets is juvenile?, like is this a wish fulfillment thing?, someone explain why this happened, supers movie ( 62 ), THANK YOU ( 13 ), the villain isnt gaining sugar energy or whatever from their false childhood, this is only a shared dream state after all
Turning into children doesn’t make sense narratively or thematically.